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What's in the Box?
2 x CMC6U Analogue Microphone Amplifier
2 x MK21 Wide Cardioid Matched Pair
2 x SG20 Stand Adapters
2 x B5D Windscreens
1 x Wood Storage Box
Schoeps CMC 621 Stereo Set w/ 2x MK 21 Capsules & CMC6 Preamps
SCHOEPS now offers pairs of our best-selling "Colette"-series microphones in sets. Each wooden case contains two complete microphones with selected, matched capsules, SG 20 stand adapters, B 5 D windscreens and in most cases, CMC 6 analog microphone amplifiers.
The part of each stand adapter that holds the microphone is made of soft plastic, while the base is metal. The foam windscreens have an inner construction which makes them considerably more effective than typical windscreens of their size, while their surface treatment lends them a "high-class" appearance.
Schoeps CMC 6 Ug Microphone Amplifier
The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.
The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.
Features
- Flat frequency response
- Extremely low noise and distortion
- Balanced, very low-impedance output
- Can be used with very long cables
- Well-protected against RFI
- For use with 12- or 48-Volt phantom powering
Schoeps MK 21 Wide Cardioid Capsule
This type of capsule has a directional pattern between omni and cardioid. The basic idea in designing this capsule was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics. It has fuller and more extended low-frequency response than a cardioid, with less proximity effect, while picking up more room sound than a cardioid.
The polar diagram shows the directivity of the MK 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.
Features
- Wide cardioid
- Especially consistent directionality throughout its frequency range
- Pleasant sonic impression, often described as "warm"
- Often preferred for use as a spot microphone, or as the main pair for overall stereo pickup
